Anushki Premachandra is a Sri Lankan performer known publicly through a combination of dance, screen appearances, and a strong social media presence often alongside her twin sister (their shared profile highlights a large following and creator identity). In that sense, it’s fair to say her public visibility was significantly fueled by social platforms (based on her primary public-facing presence and branding), before and alongside her acting work. (That’s an inference drawn from the public profiles, not a claim about a single “entry point” event.)

On television, she is credited with appearances connected to Sinhala teledrama listings, including Mal Pipena Kale (TV Derana), where she and her twin are recognized as part of the cast.  These listings establish her as a working screen actress, in addition to her online creator identity.

For film/industry credits, IMDb lists her for titles including Father: The Judgement is inconclusive (2025) and Wihiluwak Kale (2025). (Because credits can sometimes shift between “announced,” “filming,” and “released,” I’m keeping this to what’s currently recorded in that database, without adding extra claims.)

Overall, Anushki represents a newer pathway seen in South Asian entertainment: performers building audience connection through digital platforms while also taking on conventional acting projects. Her profile fits well in an archive as an example of the modern “hybrid” creative part influencer/creator, part screen performer grounded in dance and youth culture aesthetics, but increasingly tied to mainstream media credits.